Submissions from 2022
‘Blown Away ’: Partnering on a Netflix Reality Series to Promote Glassblowing Education, Christine Szustaczek
Pictures That Do Not Really Exist: Mitigating the Digital Crisis in Traditional Animation Production, Tony Tarantini
Submissions from 2020
The 3D Acid Test: Perceptual Attributes vs Renderable Elements, Kathryn Wehrle
Submissions from 2019
VR Technology in Medical Training, Heather Cleveland
Teacherless: the Futures of Design Education, Andrew Hladkyj
Submissions from 2017
Integrating Non-Traditional Materials into the Design Process, Todd Barsanti
Pedagogy for a Plugged-in Age, Independent Study 2017, Andrew Hladkyj
The New Visual Testimonial: Narrative, Authenticity, and Subjectivity in Emerging Commercial Photographic Practice, Heather Morton
Submissions from 2016
Musical Behaviours: Algorithmic Composition Via Plug-ins, Bruno Degazio
Submissions from 2015
Sustainability Through A Systems-Based Design Process, Todd Barsanti
How to Teach the Concept of Key Frames to Post-Secondary Level Students?, Victoria McGlynn
Design as Choreography: Information in Action, Heidi Overhill
Submissions from 2014
Apple Pie Proxemics: Edward T. Hall in the Kitchen Work Triangle, Heidi Overhill
Submissions from 2013
Reflections on the Climate Reality Leadership Corps Training in Chicago, Todd Barsanti
A Particle System for Musical Composition, Bruno Degazio
Submissions from 2012
Designers as Facilitators of Change, Todd Barsanti
Designing Experiences, Todd Barsanti
Submissions from 2011
Defining Sustainability for Designers, Todd Barsanti
Integrating Sustainability Into Design Education, Todd Barsanti
The Effects of Digital Technology on the Greater Toronto Area Animation Community from the 90's to the early 2000's, Tony Tarantini
Submissions from 2008
Software Tools for Electronic Wind Instrument Performance, Bruno Degazio
Submissions from 2004
The Transformation Engine, Bruno Degazio
Submissions from 1996
A Computer-Based Editor for Lerdahl and Jackendoff's Rhythmic Structures, Bruno Degazio
Evolution of Musical Organisms, Bruno Degazio
Submissions from 1993
New Software Composition Tools, Bruno Degazio
Towards a Chaotic Musical Instrument, Bruno Degazio
Submissions from 1988
The Development of Context Sensitivity in the Midiforth Computer Music System, Bruno Degazio
The Schillinger System of Musical Composition and Contemporary Computer Music, Bruno Degazio
Submissions from 1986
Musical Aspects of Fractal Geometry, Bruno Degazio