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Submissions from 2017

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Integrating Non-Traditional Materials into the Design Process, Todd Barsanti

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The New Visual Testimonial: Narrative, Authenticity, and Subjectivity in Emerging Commercial Photographic Practice, Heather Morton

Submissions from 2016

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Musical Behaviours: Algorithmic Composition Via Plug-ins, Bruno Degazio

Submissions from 2015

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Sustainability Through A Systems-Based Design Process, Todd Barsanti

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Design as Choreography: Information in Action, Heidi Overhill

Submissions from 2014

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Apple Pie Proxemics: Edward T. Hall in the Kitchen Work Triangle, Heidi Overhill

Submissions from 2013

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Reflections on the Climate Reality Leadership Corps Training in Chicago, Todd Barsanti

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A Particle System for Musical Composition, Bruno Degazio

Submissions from 2012

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Designers as Facilitators of Change, Todd Barsanti

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Designing Experiences, Todd Barsanti

Submissions from 2011

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Defining Sustainability for Designers, Todd Barsanti

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Integrating Sustainability Into Design Education, Todd Barsanti

Submissions from 2008

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Software Tools for Electronic Wind Instrument Performance, Bruno Degazio

Submissions from 2004

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The Transformation Engine, Bruno Degazio

Submissions from 1996

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A Computer-Based Editor for Lerdahl and Jackendoff's Rhythmic Structures, Bruno Degazio

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Evolution of Musical Organisms, Bruno Degazio

Submissions from 1993

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New Software Composition Tools, Bruno Degazio

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Towards a Chaotic Musical Instrument, Bruno Degazio

Submissions from 1988

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The Development of Context Sensitivity in the Midiforth Computer Music System, Bruno Degazio

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The Schillinger System of Musical Composition and Contemporary Computer Music, Bruno Degazio

Submissions from 1986

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Musical Aspects of Fractal Geometry, Bruno Degazio